Post by Joanna on Apr 24, 2015 1:47:37 GMT -5
The Strange Disappearance of Richey Edwards
They were one of rock’s biggest acts and about to embark on their first US tour when one member disappeared and was never heard of again. On the morning of February 1, 1995, guitarist Richey Edwards, of the British rock band the Manic Street Preachers, was scheduled to fly to the United States for a promotional tour.
His band was already big at home, they had just released their third album, The Holy Bible, and they were now feeling optimistic about their chances of riding the American alternative-rock explosion of the time. “We could have been a really big cult band,” bassist Nicky Wire tells The New York Post.
But instead, Edwards (occasionally referred to as Richey James or Richey Manic) checked out of the London hotel where he was staying and reportedly drove toward his apartment in Wales. For the next two weeks, he made no contact with his band mates, friends or family and only a handful of unsubstantiated sightings were reported. On February 17, Edwards’ car was found abandoned at a rest stop 25 miles from the band’s hometown of Blackwood. The body (if there was one) was mever found, but Edwards was declared dead in 2008. “Closure is not something that we’ve looked for or need,” says Wire, who, along with singer-guitarist James Dean Bradfield and drummer Sean Moore, will finally play The Holy Bible on American soil Thursday, April 23, in a show at Webster Hall. “It’s a psychological cliche that’s never been part of our vocabulary. We know it may never, ever be resolved. We still keep a space on stage for him.”
This mystery has been elevated into mythology, in part because of Edwards’ magnetic persona and key role in the Manic Street Preachers’ success. From the very start, his intelligence, intensity and good looks made him a focal point of the group, especially after an infamous encounter with a journalist from British Music Weekly (NME) in 1991, which resulted in Edwards’ using a razor blade to carve the phrase “4 REAL” into his forearm.
Edwards’ tendency toward self-harm and alcoholism, increased following the death of the band’s manager in late 1993. A trip to Thailand in the spring of 1994 ended with Edwards cutting himself on stage, and by the summer, an attempted suicide led to a spell in rehab. “We told Richey he could do whatever he wanted; just write, or just come to the studio, just tour, whatever he needed to feel better. But he still wanted to be in the band 100 percent,” explains Wire.
The turmoil was reflected, horrifically at times, on The Holy Bible. Prior to the album, Edwards and Wire had split lyric-writing duty 50/50, but The Holy Bible was mostly Edwards’ work. “He was writing so brilliantly at the time, I didn’t feel I had much to add,” says Wire.
Songs such as “4st 7lb” detail his struggle with eating disorders (“I want to be so skinny that I rot from view”), while Mausoleum and The Intense Humming of Evil were inspired by the Holocaust and visits to concentration camps. Sonically, it captures the band at its visceral best. The Holy Bible turned out to be the band’s biggest hit, crashing into the Top 10 of the UK’s Album Chart after being released in August 1994.
With America beckoning in 1995, Edwards’ disappearance almost dealt a fatal blow to the band; the four had been close friends since childhood. “The time after Richey’s disappearance was the epitome of nothingness,” recalls Wire. “People forget that we were about 24, 25. It wasn’t really on our agenda to deal with something like that.”
Eventually, the remaining members decided to continue, and ended up having No. 1 hits in the UK and playing in stadiums. The band has released a total of 12 albums to date – the last being the trio’s Futurology in 2014.
But Edwards’ memory, work and image are never far away. Books (both fiction and nonfiction) have been written about him, while several documentaries have covered his life and disappearance. Even Kanye West found himself unwittingly adding to the folklore surrounding Edwards, when he was spotted in December wearing a Raf Simons camouflage jacket with the guitarist’s image on the breast. “Kanye’s a maverick in his own right, so seeing that made me smile,” Wire remarks.
Source: NewsAustralia, April 21, 2015.
