Post by joannemyers on May 22, 2014 10:50:20 GMT -5
Author bio and writing tips
WRITING PARANORMAL
When it comes to fiction writing, almost anything goes. That is why I love writing paranormal and fantasy stories. The author can go completely over the edge and make something unbelievable seem believable. When it comes to ghost stories, I get a lot of my inspiration from real life experiences. Not necessarily my own either. I watch television programs that partake of the supernatural and paranormal flare. Programs from ordinary people who claim they experienced either an afterlife experience, or a haunting.
Some of my stories from my upcoming release “Wicked Intentions” is based on actual hauntings. Some stories I read about in the newspaper, and others I watched on true life experience programs. So the next time you get “writer’s block” try switching on the television. You might find something to jolt your inspiration.
Writing True Crime
First you must pick an interesting crime. I specialize in homicides in my home state of Ohio. Routinely reading newspapers will help the writer find murder cases. Find a homicide that has numerous good elements that will hold one’s interest.
Next you must start the investigation of your chosen crime. To find my information, I read newspaper reports of the homicide. I searched court documents for witness reports, and courtroom testimony. I interviewed witnesses. Persons that either were present when the crime occurred, or had after the fact information. Try to locate the victim’s family members, and see if they want their side of the story told. If the case goes to trial, the Defense’s job is to discredit the victim. To portray the deceased as the “bad guy.” This type of mud slinging does not sit well with loved ones of the victim. Give them a chance to speak for the deceased. Anyone that was involved with the case, will have something of interest to report. Don’t forget to locate the reports of the arresting officers and the homicide detectives. Try to locate the coroners report, any eyewitness, or person’s who reported hearing an altercation or gunshots.
Keep abreast of updates, and read everything that was written about the case. Build a relationship with the law enforcement officials who are involved in the case. I personally live in a very small town, where most person’s know one another, and many have relatives or close friends that are involved with law enforcement. Attend the trial and speak to everyone you can about the criminal, the victim and prosecution and defense witness.
Last but not least, sit down and write. Now it is time to tell the story of the crime. Hopefully you will find most of the information you need in your copious notes--if not go back and get the answers you need. Never throw away any notes or information concerning the case. Not even after the trial is over with, and the story is written. Most convicted felons apply for numerous appeals, which take years to dissolve. Some cases never seem to end; The Crime of the Century was such a case. When the accused was found guilty and sent to prison, he and his attorneys, who always believed him innocent, continued fighting for his freedom. That blessed event came after the convicted spent five years on death row. He was cleared with DNA, but it still took nearly thirty years to find the true killers. If you want your true crime novel to be believable, you can't fudge the facts.
Writing Mystery
Before writing a word, take some time to jot down key story points. As you're writing, the story will want to take on a life of its own. Having a handy reference of key points will help keep your story on track and you from pulling your hair out. A list of key points is also helpful when outlining the story plot. You may very well find that the story begins to unfold as you're writing down the key points. If this happens...let it! Write down any ideas or details that come to you, they'll come in handy later.
Some key points to consider are; what is the mystery? This is the underlying theme to the entire story so be as in-depth as possible (has there been a murder or a theft or a kidnapping? If so, how and where was it committed?).
Hunt for the culprit. Every good story has at least one antagonist, but what steps must the hero or heroine take to find him/her? How will the villain evade the hero? How is the mystery solved? In mystery writing there are a lot of twists and turns. Write down your initial thoughts for plot twists, red herrings to throw the readers off the trail of the true villain, and of course the final stages of how the good guy will prevail...or does he? You need to decide whether or not the hero or the villain wins in the end. Many hero’s die trying to solve their case. Many are involved in physical altercations with other characters. You must decide how many altercations, the number of characters involved, and what weapons if any are used. It is not a good idea to only engage your characters with fist fighting. Throw in some knives, chains, falling from windows, or my favorite, a poisoning, and other nasty assaults.
Every great story has well rounded characters. We read fiction because we want to be entertained and develop a connection with the characters. Outlining items such as personality traits, physical features, and quirks can help bring your characters to life; a speech impediment, or limp, or a nervous twitch.
For the Protagonist, decide the name, age, where does he/she live, does he/she have a family or pets, what is their driving goal for taking on this particular case? Is the hero a police officer, a person sworn to honesty, pride, and valor. Or is the good guy a private detective being paid to find a certain someone. Or your main character could be a parent or sibling searching for a missing loved one.
For the Antagonist, decide the name, age, where does he/she live, is there an underlying reason for being the antagonist? Perhaps this person is a career criminal. On the other hand, maybe he/she is a good person that suffered an unjust and turned to crime out of bitterness and despair.
Then you have your support characters, who are the color of the story. They provide depth to the story whether good or bad. A support character could be as simple as a loud mouth hot dog vendor standing on a street corner or as in-depth as the villain's partner in crime. In writing a mystery story, support characters can take on a life of their own with the reader, so make them interesting. Just because they are labeled support characters does not mean they are any less important than the main characters.
Next is the location of the story. When and where is the story set? These two key elements are what bring your story to life. Mystery story writing is a broad genre and could be set in any time period and in any place. When working with actual locations it is a good idea to do research on the location first. Readers want to feel as though they are there with the characters, so being able to accurately describe a location is vital. Time periods are no exception. If the story is set in 1940's New Orleans, the reader will want to see their surroundings, not just be told the story is taking place in a speakeasy or church. Be descriptive!
A mystery story is not a story without a solid well thought out plot. Some things to consider when developing the story plot: What is the driving force of the mystery? To solve a murder, or rescue a kidnap victim? What does the villain do to thwart the hero? Does the villain get his goons on the hero? Is the hero being set up by the villain and now he is being hunted by police. What other obstacles get in the way of solving the mystery?
One of the most important elements of writing a mystery story is suspense. Giving away too much too soon will bore the reader. It is best if the suspense is sprinkled throughout the story; bring the mystery to light within the first few chapters, then as the story progresses add a clue here and there without revealing the outcome until the final chapter. Do not be afraid to add a "red herring" or false clue, within the stories context. Readers love nothing better than to think they have everything figured out only to find in the end they were mistaken the entire time.
The final few chapters of the story should hold the climax of the conflict and resolution between the hero and villain, including how all of the clues scattered throughout the story cumulatively solves the mystery. A good conclusion gives the reader a sense of closure in finding out how the hero solved the mystery. Remember that not all mysteries have to be completely solved or have a "happy" ending. If you are writing a series of stories, the villain may get away at the end of story #1 with the hero using clues from story #1 to track down the villain in story #2. In mystery story writing, the possibilities are only limited by your imagination.
Self Publishing-the pros and cons of it by JoAnne Myers
The best thing about self-publishing is that you are guaranteed to be published, no matter what type book you choose to write. Traditional publishers often look for something not yet written about, or seldom written about; such as true life alien abductions, or what Earth might be like in the year 4000, if humans last that long.
Self-publishing allows the author more leeway with subject matter. The author can tell it like it is; unlike traditional publishers who generally follow a code of conduct, for the fear of treading on someone’s toes. Traditional publishers always have that fear of being sued for libel, whereas self-publishers tend to not care what others think.
With self publishing every detail is up to the author. From hiring a professional editor if the self publishing author is not prolific in the English language. Editing is expensive, and every book, even self publishing needs some editing to help polish the final product. Self-publishing does offer editing and marketing services, but for an additional price, that can be expensive. All that work is taken care of by a traditional publisher, which means less headaches and work for the author.
When it comes to book covers, self-publishing companies usually give the author a selection of artwork to choose from. Some of this artwork is free, but some usually cost a few dollars. The free artwork is seldom great, and might not coincide with the books material. For paid artwork at self-publishing companies, the artwork is upgraded and more pleasing to the eye, but is an extra cost, which might for some self-publishers, mean an extra dent in their pocketbooks. Traditional publishers have their own art department, which means the author is guaranteed a terrific book cover, which is included in the contract. Both self-publishing and traditional publishing companies, though, usually allow the author to use their own artwork if the author chooses too, especially if the book is about the author’s family, pet, friends, or profession. Using personal artwork adds a touch of personification and genuine sincerity to the book; which is always a good selling point.
What I discovered through Amazon, and something they did not tell me in the beginning, is that with them, the author must keep a supply of their books at the Amazon warehouse. Amazon is not a print on demand (POD) distributor as is Lulu, as I initially believed it to be. Also, with the author’s books being stored at the Amazon warehouse, the author is charged for a monthly storage fee. I don’t know what this storage fee is, but I do know, that the more books the author keeps stored, the higher the storage fee is. This storage requirement can be expensive. The author is required to pay this monthly storage fee, even if their book does not sell. When it comes to any type of artwork, whether it be books, jewelry, or candles, artwork is usually a hard product to sell. If it were easy, all artists and authors would be wealthy.
Lulu on the other hand, is a print on demand self publisher. They do not store books, but keep each title stored in a queue, at a contracted print on demand printer.
Also, what I understand is that Lulu allows 80% of the royalties to go to the author, and Amazon allows 70%, but that percentage is only applicable for books sold to certain countries outside of the U.S., such as Brazil, Japan, Mexico, and India, and only for titles enrolled in KDP Select. This in reality, means that the author receives an average 35% of the sales, and Amazon gets the other 65%.
A author can struggle with locating a traditional publishing company for many reasons. They have written a book that only they are interested in; such as their family history. I don’t believe most would be interested in reading about someone else’s family tree, unless it is as brilliant as the book Roots, was. If a author is struggling with locating a traditional publishing company, than self-publishing is for them. I for one believe that if a writer has written a book, they should continue seeking out the traditional publishing company. This only applies if their book is polished and ready for sale. If a book has many graphical errors, it will not be taken seriously by a traditional publisher. Getting away with graphical errors in a self-published book is possible, but it would be disappointing and frustrating to the reader. Whether the book is self-published or traditionally published, the final product should be free of errors, and entertaining, and pleasing to the eye. In my opinion, when it comes to Lulu versus Amazon, Amazon bites the dust. Good luck.
Author Bio:
I have been a long-time resident of southeastern Ohio, and worked in the blue-collar industry most of my life. Besides having several novels under my belt, I canvas paints.
When not busy with hobbies or working outside the home, I spend time with relatives, my dog Jasmine, and volunteer my time within the community. I am a member of the International Women’s Writing Guild, Savvy Authors, Coffee Time Romance, Paranormal Romance Guild, True Romance Studios, National Writers Association, the Hocking Hill's Arts and Craftsmen Association, The Hocking County Historical Society and Museum, and the Hocking Hills Regional Welcome Center. I believe in family values and following your dreams. My original canvas paintings, can be found at: booksandpaintingsbyjoanne.com
WRITING PARANORMAL
When it comes to fiction writing, almost anything goes. That is why I love writing paranormal and fantasy stories. The author can go completely over the edge and make something unbelievable seem believable. When it comes to ghost stories, I get a lot of my inspiration from real life experiences. Not necessarily my own either. I watch television programs that partake of the supernatural and paranormal flare. Programs from ordinary people who claim they experienced either an afterlife experience, or a haunting.
Some of my stories from my upcoming release “Wicked Intentions” is based on actual hauntings. Some stories I read about in the newspaper, and others I watched on true life experience programs. So the next time you get “writer’s block” try switching on the television. You might find something to jolt your inspiration.
Writing True Crime
First you must pick an interesting crime. I specialize in homicides in my home state of Ohio. Routinely reading newspapers will help the writer find murder cases. Find a homicide that has numerous good elements that will hold one’s interest.
Next you must start the investigation of your chosen crime. To find my information, I read newspaper reports of the homicide. I searched court documents for witness reports, and courtroom testimony. I interviewed witnesses. Persons that either were present when the crime occurred, or had after the fact information. Try to locate the victim’s family members, and see if they want their side of the story told. If the case goes to trial, the Defense’s job is to discredit the victim. To portray the deceased as the “bad guy.” This type of mud slinging does not sit well with loved ones of the victim. Give them a chance to speak for the deceased. Anyone that was involved with the case, will have something of interest to report. Don’t forget to locate the reports of the arresting officers and the homicide detectives. Try to locate the coroners report, any eyewitness, or person’s who reported hearing an altercation or gunshots.
Keep abreast of updates, and read everything that was written about the case. Build a relationship with the law enforcement officials who are involved in the case. I personally live in a very small town, where most person’s know one another, and many have relatives or close friends that are involved with law enforcement. Attend the trial and speak to everyone you can about the criminal, the victim and prosecution and defense witness.
Last but not least, sit down and write. Now it is time to tell the story of the crime. Hopefully you will find most of the information you need in your copious notes--if not go back and get the answers you need. Never throw away any notes or information concerning the case. Not even after the trial is over with, and the story is written. Most convicted felons apply for numerous appeals, which take years to dissolve. Some cases never seem to end; The Crime of the Century was such a case. When the accused was found guilty and sent to prison, he and his attorneys, who always believed him innocent, continued fighting for his freedom. That blessed event came after the convicted spent five years on death row. He was cleared with DNA, but it still took nearly thirty years to find the true killers. If you want your true crime novel to be believable, you can't fudge the facts.
Writing Mystery
Before writing a word, take some time to jot down key story points. As you're writing, the story will want to take on a life of its own. Having a handy reference of key points will help keep your story on track and you from pulling your hair out. A list of key points is also helpful when outlining the story plot. You may very well find that the story begins to unfold as you're writing down the key points. If this happens...let it! Write down any ideas or details that come to you, they'll come in handy later.
Some key points to consider are; what is the mystery? This is the underlying theme to the entire story so be as in-depth as possible (has there been a murder or a theft or a kidnapping? If so, how and where was it committed?).
Hunt for the culprit. Every good story has at least one antagonist, but what steps must the hero or heroine take to find him/her? How will the villain evade the hero? How is the mystery solved? In mystery writing there are a lot of twists and turns. Write down your initial thoughts for plot twists, red herrings to throw the readers off the trail of the true villain, and of course the final stages of how the good guy will prevail...or does he? You need to decide whether or not the hero or the villain wins in the end. Many hero’s die trying to solve their case. Many are involved in physical altercations with other characters. You must decide how many altercations, the number of characters involved, and what weapons if any are used. It is not a good idea to only engage your characters with fist fighting. Throw in some knives, chains, falling from windows, or my favorite, a poisoning, and other nasty assaults.
Every great story has well rounded characters. We read fiction because we want to be entertained and develop a connection with the characters. Outlining items such as personality traits, physical features, and quirks can help bring your characters to life; a speech impediment, or limp, or a nervous twitch.
For the Protagonist, decide the name, age, where does he/she live, does he/she have a family or pets, what is their driving goal for taking on this particular case? Is the hero a police officer, a person sworn to honesty, pride, and valor. Or is the good guy a private detective being paid to find a certain someone. Or your main character could be a parent or sibling searching for a missing loved one.
For the Antagonist, decide the name, age, where does he/she live, is there an underlying reason for being the antagonist? Perhaps this person is a career criminal. On the other hand, maybe he/she is a good person that suffered an unjust and turned to crime out of bitterness and despair.
Then you have your support characters, who are the color of the story. They provide depth to the story whether good or bad. A support character could be as simple as a loud mouth hot dog vendor standing on a street corner or as in-depth as the villain's partner in crime. In writing a mystery story, support characters can take on a life of their own with the reader, so make them interesting. Just because they are labeled support characters does not mean they are any less important than the main characters.
Next is the location of the story. When and where is the story set? These two key elements are what bring your story to life. Mystery story writing is a broad genre and could be set in any time period and in any place. When working with actual locations it is a good idea to do research on the location first. Readers want to feel as though they are there with the characters, so being able to accurately describe a location is vital. Time periods are no exception. If the story is set in 1940's New Orleans, the reader will want to see their surroundings, not just be told the story is taking place in a speakeasy or church. Be descriptive!
A mystery story is not a story without a solid well thought out plot. Some things to consider when developing the story plot: What is the driving force of the mystery? To solve a murder, or rescue a kidnap victim? What does the villain do to thwart the hero? Does the villain get his goons on the hero? Is the hero being set up by the villain and now he is being hunted by police. What other obstacles get in the way of solving the mystery?
One of the most important elements of writing a mystery story is suspense. Giving away too much too soon will bore the reader. It is best if the suspense is sprinkled throughout the story; bring the mystery to light within the first few chapters, then as the story progresses add a clue here and there without revealing the outcome until the final chapter. Do not be afraid to add a "red herring" or false clue, within the stories context. Readers love nothing better than to think they have everything figured out only to find in the end they were mistaken the entire time.
The final few chapters of the story should hold the climax of the conflict and resolution between the hero and villain, including how all of the clues scattered throughout the story cumulatively solves the mystery. A good conclusion gives the reader a sense of closure in finding out how the hero solved the mystery. Remember that not all mysteries have to be completely solved or have a "happy" ending. If you are writing a series of stories, the villain may get away at the end of story #1 with the hero using clues from story #1 to track down the villain in story #2. In mystery story writing, the possibilities are only limited by your imagination.
Self Publishing-the pros and cons of it by JoAnne Myers
The best thing about self-publishing is that you are guaranteed to be published, no matter what type book you choose to write. Traditional publishers often look for something not yet written about, or seldom written about; such as true life alien abductions, or what Earth might be like in the year 4000, if humans last that long.
Self-publishing allows the author more leeway with subject matter. The author can tell it like it is; unlike traditional publishers who generally follow a code of conduct, for the fear of treading on someone’s toes. Traditional publishers always have that fear of being sued for libel, whereas self-publishers tend to not care what others think.
With self publishing every detail is up to the author. From hiring a professional editor if the self publishing author is not prolific in the English language. Editing is expensive, and every book, even self publishing needs some editing to help polish the final product. Self-publishing does offer editing and marketing services, but for an additional price, that can be expensive. All that work is taken care of by a traditional publisher, which means less headaches and work for the author.
When it comes to book covers, self-publishing companies usually give the author a selection of artwork to choose from. Some of this artwork is free, but some usually cost a few dollars. The free artwork is seldom great, and might not coincide with the books material. For paid artwork at self-publishing companies, the artwork is upgraded and more pleasing to the eye, but is an extra cost, which might for some self-publishers, mean an extra dent in their pocketbooks. Traditional publishers have their own art department, which means the author is guaranteed a terrific book cover, which is included in the contract. Both self-publishing and traditional publishing companies, though, usually allow the author to use their own artwork if the author chooses too, especially if the book is about the author’s family, pet, friends, or profession. Using personal artwork adds a touch of personification and genuine sincerity to the book; which is always a good selling point.
What I discovered through Amazon, and something they did not tell me in the beginning, is that with them, the author must keep a supply of their books at the Amazon warehouse. Amazon is not a print on demand (POD) distributor as is Lulu, as I initially believed it to be. Also, with the author’s books being stored at the Amazon warehouse, the author is charged for a monthly storage fee. I don’t know what this storage fee is, but I do know, that the more books the author keeps stored, the higher the storage fee is. This storage requirement can be expensive. The author is required to pay this monthly storage fee, even if their book does not sell. When it comes to any type of artwork, whether it be books, jewelry, or candles, artwork is usually a hard product to sell. If it were easy, all artists and authors would be wealthy.
Lulu on the other hand, is a print on demand self publisher. They do not store books, but keep each title stored in a queue, at a contracted print on demand printer.
Also, what I understand is that Lulu allows 80% of the royalties to go to the author, and Amazon allows 70%, but that percentage is only applicable for books sold to certain countries outside of the U.S., such as Brazil, Japan, Mexico, and India, and only for titles enrolled in KDP Select. This in reality, means that the author receives an average 35% of the sales, and Amazon gets the other 65%.
A author can struggle with locating a traditional publishing company for many reasons. They have written a book that only they are interested in; such as their family history. I don’t believe most would be interested in reading about someone else’s family tree, unless it is as brilliant as the book Roots, was. If a author is struggling with locating a traditional publishing company, than self-publishing is for them. I for one believe that if a writer has written a book, they should continue seeking out the traditional publishing company. This only applies if their book is polished and ready for sale. If a book has many graphical errors, it will not be taken seriously by a traditional publisher. Getting away with graphical errors in a self-published book is possible, but it would be disappointing and frustrating to the reader. Whether the book is self-published or traditionally published, the final product should be free of errors, and entertaining, and pleasing to the eye. In my opinion, when it comes to Lulu versus Amazon, Amazon bites the dust. Good luck.
Author Bio:
I have been a long-time resident of southeastern Ohio, and worked in the blue-collar industry most of my life. Besides having several novels under my belt, I canvas paints.
When not busy with hobbies or working outside the home, I spend time with relatives, my dog Jasmine, and volunteer my time within the community. I am a member of the International Women’s Writing Guild, Savvy Authors, Coffee Time Romance, Paranormal Romance Guild, True Romance Studios, National Writers Association, the Hocking Hill's Arts and Craftsmen Association, The Hocking County Historical Society and Museum, and the Hocking Hills Regional Welcome Center. I believe in family values and following your dreams. My original canvas paintings, can be found at: booksandpaintingsbyjoanne.com